2020-05-26

詩巫西岸王士來漢臣原生果園Mr Bean's Farm in Ah Poh, Sg Ensurai, Sibu west bank

2020年5月23日(星期六)下午踩小白前往詩巫西岸的王士來。
路線是自拉讓花園住家出發,到劉欽侯醫院的瑪琳渡頭坐船,到西岸的Sg Maawg Maaw大路,轉超群路進劉家洙路,經過一條攔扞被偷的小橋,之後就到下坡了。前後花費了約一個小時,踩踏了15公里路程。
這是一百年前最早福州人墾荒聚居的地方,今天似乎已經荒蕪了。

到了漢臣住家,这里可是下坡古田人當中唯一的闽南人住家,郭友竹的老家。郭氏是當年與黃景和牧師在福州墾場最早種植樹膠者。至於為什么會有閩南人(廈門人)會居住在福州人的墾場之中,相信是當年移民以教會的基督徒為主,黃乃裳除了在福州十邑招募也到興化及彰泉地區招募教會中人的。不過,身為第三代的郭漢臣已經不會講廈門話,開口閉口都是福州話,畢竟這裡是福州人的地區,耳濡目染所致。
 在其住家門家,看到漢臣的媽媽正在採胡椒,與她寒喧幾句,看他老人家,老當益壯,精神奕奕。在胡椒園裡,漢臣指向一棵特種,那就是胡椒都是生一串一串的,但這一棵卻是一串又生枝串呢!很是罕見的品種。

漢臣的園子約有20畝(依甲),目前他都以原生種的果樹為主,他说很多原生種的果樹都沒了,他希望種了不為了經濟而是給後後代的人有個參考的地方。這是可以驅蟲的Neem Tree,他是引自西馬的,原為印度品種的。


這個頪似孤狸尾巴的花,原來叫做cut nut的果樹。
 
 這個叫做Kemayau樹。


 這是紅木,又叫鐵木,英文叫做Belian,已經種植了約15年的時光。





































這是蜜笋(Madu)。漢臣種有不同品種的竹笋,包括一種中國雲南的可以做為竹筒飯的竹呢!




 這是當年的小路

 你說西岸風光是不是很美麗?

2019-12-29

布魯諾曼梳(Bruno Manser): Rainforest HERO為雨林献身

Paradise War: The Story of Bruno Manser

1984: Searching for an experience beyond modern civilisation, Bruno Manser travels into the jungles of Borneo and finds the nomadic Penan tribe. When the existence of the Penan is threatened by relentless deforestation, Manser takes up the fight against logging with a courage and determination that makes him one of the most renowned and credible environmentalists of his time. Based on a true story.
1980-2000年,
一個遠在瑞士的青年人,不遠千里而來,住在深山野林裡,為最後的游牧民族,本南人(Penan)的雨林,他們的廚房,就是他們棲息處而與他們同住了幾年,過着最原始的生存。同時,他多次與當局(包括砂拉越政府、伐木財團、警方等)週旋及爭取權益,他把本南人带上去了國際舞台,是本南土地成為世界地圖的焦點.....
然而,蜼然經過許多的努力與付出,所收的果效不多,本南人的居住地不斷地受侵蝕,地球的肺也渐被破壞,最後不明不白的消失在林中!?.





As a follow up to Amateur Teens, one could have expected a similarly confrontational and raw film with a low budget aesthetic, but nothing could be further from the truth. Paradise War is radically opposed to its predecessor, both in terms of content and style. The Zurich neighbourhoods give way to images of breathtaking landscapes, and the existential problems of teenagers apparently only concerned with their own small world are replaced with universal concerns. The question is whether this radical change has borne fruit.
Paradise War adapts to the screen the life story of Swiss environmental activist Bruno Manser (1954-2000), a complex, endlessly fascinating figure in many ways mythicised. A kind of “Swiss Ghandi”, Manser was one of the first people in Switzerland to fight for the climate and against the destruction of tropical forests. In 1984, disappointed by the rampant superficiality of modern civilization, he decides to go look for the profound meaning of existence. His journey brings him to the jungle of Borneo, where he meets the nomadic Penan tribe. This encounter forever changes his life, to the point where he becomes (or, at least, look like) “one of them.” While the Penan are threatened by deforestation, Manser becomes their spokesperson and fiercest defender, a man ready to do anything to save his adoptive family from an imminent catastrophe. His battle pushes him over the edge, concluding with his tragic disappearance in 2000.
Based on a true story, Paradise War was shot over 76 days in Switzerland, New York, Budapest, and Borneo. Working conditions were difficult and the crew had to venture in remote locations nestled in the Borneo jungle (Kalimantan). The cast includes professional actors (Swiss actor Sven Schelker in the role of Manser) and non-professionals, most of them members of the Penan tribe. The score is by Gabriel Yared (Oscar winner for The English Patient).
The subject of the film is decidedly topical and the source material rich and captivating. Nevertheless, and despite breathtaking landscapes which it is difficult to believe are real, the character of Manser is suffocated by a quasi religious aura which is ultimately, undeniably, indigestible. It would have been interesting to show the ambiguity which goes with any mythical figure: where is the limit between defending a cause considered to be vital, and the leadership qualities (one could even say the exhibitionism) necessary to make this fight public? Did Manser lose himself fighting to save a community he thought he belonged to? Unfortunately, this grey area isn’t in Hilber’s film, which sees in Manser t as a god rather than a man, a person certainly determined but also complex and ambiguous. Paradise War is an aesthetically grandiose film (with beautiful  cinematography by Matthias Reisser) which will doubtless find an audience, but which lacks the complexity which would have made it truly unique.
Paradise War – The Story of Bruno Manser is produced by A Film Company in co-production with Das Kollektiv für Audiovisuelle Werke, SRF Schweizer Radio und Fernsehen, Teleclub and Superfilm Filmproduktions, sold internationally by TrustNordisk.

這部是完整的影片
Bruno Manser-Laki Penan
記錄布魯諾在砂拉越雨林中與本南人的生活情況。




這是一部紀念布魯諾的影片]

英文字幕

This is the second part of an english translation of a documentary about my great cousin Bruno Manser who lived with the indigenous Penan in Borneo.He just wanted to learn about their way of life but ended up getting involved in a conflict with the government that was instrumental in destroying their habitat.





Bruno Manser-Laki Penan(英文版English Version)

Part 1


Bruno Manser-Laki Penan(英文版English Version)
Part 2


Bruno Manser-Laki Penan(英文版English Version)
Part 3


Bruno Manser-Laki Penan(英文版English Version)
Part 4


Bruno Manser-Laki Penan(英文版English Version)
Part 5


Bruno Manser-Laki Penan(英文版English Version)
Part 6


Bruno Manser-Laki Penan(英文版English Version)
Part 7


有關布魯諾曼梳的中文報導

2019-12-21

環境保護:脚车、塑膠...... 



https://www.facebook.com/380362182075704/posts/2441887202589848/?sfnsn=mo&d=n&vh=e

號召全球關注和對抗氣候變化問題的瑞典少女蕾塔·桑伯格(Greta Thunberg),在當地時間周三被宣布當選為2019年《時代》雜誌風雲人物。《時代》雜誌總編輯費爾森塔(Edward Felsenthal)表示,桑伯格體現出年輕人的行動主義。

http://rfi.my/52PX
https://www.thenewslens.com/article/128653




https://youtu.be/sk1qBthKk48

2019-12-13

南京大屠殺(Nanjing Massacre )

今天是南京大屠殺82週年。1937年12月13日,日軍在南京展開長達6個星期的姦殺擄掠,造成30萬人死亡,數萬名婦女慘遭強暴、三分之一南京遭焚燬、無數文物被劫掠。丟回2016年拍的相片。